Swamp Fight 06

Use @img1 as the authoritative Start Image and scene reference for composition, camera, fighter positions, distance, environment geometry, lighting, scale, and cinematic treatment. Start exactly from @img1: protagonist left, Reptile right, dead tree behind them, wet muddy ground, low mist, cold muted daylight.

Use @img2 for the protagonist’s full body, blue-black costume, bandaged hands, footwear, proportions, and fighter silhouette.
Use @img3 for the protagonist’s exact face, haircut, skin, age, facial structure, and identity, especially in the final ground-level close-up.
Use @img4 for Reptile’s exact head, hood, mask, armor, claws, proportions, costume, movement character, and creature identity.

Authority:
@img1 = scene, Start Image, staging, camera, distance, lighting, environment.
@img2 = protagonist body and wardrobe.
@img3 = protagonist face and identity.
@img4 = Reptile identity and design.

Create one continuous single-shot fight with no cuts.
Format: 9:16.

SCENE
A very fast, aggressive, dense flashback fight. Both fighters are dangerous; the protagonist ultimately loses. Grounded live-action cinematic realism, not a game cutscene: real body weight, contact, balance shifts, mud response, natural motion blur, skin/fabric texture, wet-ground reflections, and physically motivated cold daylight. Preserve the dead-tree location and all geometry from @img1. No extra people, weapons, or new objects.

CAMERA
Begin exactly from @img1 at roughly stomach/lower-chest height, slightly side-on, maintaining the readable axis: protagonist left, Reptile right. The camera is reactive but controlled: short physical pushes on major contacts, small lateral tracking during exchanges, slight opening when distance increases, and full commitment to the protagonist’s fall at the end. No orbiting, chaotic handheld, random reframing, or zoom-like movement.

START
Both fighters are already ready. No posing or circling. Combat starts almost immediately.

OPENING ATTACK — PROTAGONIST
The protagonist explodes forward first with a short run-up and launches into a two-foot jumping front kick aimed into Reptile’s upper torso.

Reptile braces and blocks the two-foot impact with both forearms/arms across his torso. The collision has real force:
- Reptile is driven slightly backward and leans away under the impact;
- his boots adjust or slide on the wet ground;
- his torso absorbs the force through the guard;
- the protagonist’s momentum visibly stops against the block.

The protagonist does not crash after being blocked. While still airborne he quickly tucks and regroups his legs, restores body alignment, drops his feet underneath himself, and lands cleanly back into a balanced fighting stance. The landing compresses knees and hips naturally, with a small wet-ground reaction. He immediately continues fighting.

CONTINUOUS CHOREOGRAPHY
The fight must not become repetitive left-right boxing. Use different levels, trajectories, blocks, kicks, slips, elbows, uppercuts, and balance changes. Every meaningful hit or block physically affects posture, footing, distance, or guard.

After landing, the protagonist immediately throws a fast varied combination:
1. short left hand toward the head;
2. right hand into the ribs/upper abdomen;
3. rising uppercut from below toward the chin;
4. strong straight front kick into the torso.

Reptile actively responds rather than receiving four clean hits. He blocks or deflects the first, partially absorbs the body shot, narrowly reacts to the uppercut with his head/guard displaced upward, then catches part of the front kick on his arms but is still pushed backward by its force.

The front kick creates a brief gap. Reptile immediately re-enters.

REPTILE COUNTER
Reptile fires a quick straight hand toward the protagonist’s head. The protagonist blocks with the forearm, but the guard is physically driven inward and his shoulder shifts back.

Reptile follows with a compact hook from the opposite side. The protagonist partly slips it, but Reptile continues into a low kick against the protagonist’s lead leg.

The low kick visibly affects balance:
- shin/leg displaced;
- knee buckles slightly;
- hips drop;
- protagonist must re-step to remain upright.

Reptile then attacks high again. The protagonist redirects the strike with elbow/forearm and answers immediately with a short body punch.

DENSE CLOSE EXCHANGE
They collide into close range. Keep the choreography fast and varied:
- Reptile punches short into the body;
- protagonist catches it on elbow/forearm;
- protagonist drives an elbow into shoulder/upper chest;
- Reptile turns with the impact and returns a short hook;
- protagonist ducks;
- protagonist rises from below with another compact uppercut/body-to-chin trajectory;
- Reptile blocks late and is forced half a step back;
- protagonist follows with a hard side/front kick into Reptile’s body.

The kick drives Reptile backward. His torso bends, guard absorbs part of the strike, feet slide, and distance opens.

All impacts must produce believable reactions. A block is not static: arms recoil, shoulders move, torso rotates, stance compresses. A body hit folds the body. A head hit moves head first, then neck/shoulders. A leg kick changes footing. Strong kicks alter distance.

REPTILE CHANGES RHYTHM
Reptile abruptly closes again and uses a fast jumping knee or short jumping kick into the protagonist’s upper body. The protagonist gets both arms up but the force drives his forearms into his chest and pushes him backward across the wet ground.

Reptile lands and keeps pressure on him.

The protagonist tries another hook toward Reptile’s head. Reptile ducks beneath it and immediately sweeps/attacks low at the lead leg, forcing another quick balance recovery.

The protagonist answers from the recovery with a short left-right-uppercut sequence, but each strike has a different trajectory and physical response:
- left probes/strikes high;
- right drives into the body;
- uppercut rises from below and forces Reptile’s posture upward.
He then finishes the sequence with a powerful straight front kick to the torso, pushing Reptile away again.

Do not repeat identical punch loops. The exchanges should feel improvised, dangerous, and continuously evolving.

CREATE FINISHING DISTANCE
After being driven back, Reptile deliberately retreats several quick steps, not fleeing but creating space. The protagonist remains standing but is visibly damaged and recovering.

Camera opens enough to show protagonist left, Reptile right, and several meters of clear run-up space between them.

REPTILE RUN-UP
Reptile suddenly accelerates:
first step,
second step,
third explosive step.

Camera initially stays wide enough to read the run-up, then rapidly closes with the action.

FINISHING STRIKE
On the final step Reptile launches forward and upward while rotating his body, delivering a powerful jumping spinning heel kick / spinning round kick directly into the protagonist’s jaw.

This is the decisive blow.

Camera makes its strongest physical compression of the shot, positioning so the protagonist’s face, Reptile’s incoming leg, and the point of contact are readable.

Impact physics:
- kick lands cleanly on the jaw;
- cheek/lip deform slightly;
- head whips sideways and back first;
- neck follows;
- shoulders and torso follow a beat later;
- one foot completely loses traction;
- the other cannot recover the center of gravity.

The hit must feel devastating and final.

FALL
From this instant camera abandons Reptile as the main subject and commits to the protagonist.

The protagonist is thrown backward and slightly sideways. He attempts one recovery step but fails. Camera swings with his trajectory, drops lower, and moves closer.

The fall is heavy:
hips go,
side of thigh hits,
shoulder follows,
then full body weight reaches the wet ground.

Mud, damp debris, leaves, and low mist react naturally.

FINAL FACE CLOSE-UP
Camera keeps moving after impact and settles almost at ground level beside the protagonist’s head.

Final angle: very low side 3/4 close-up. One cheek is near the wet earth. The face fills a significant part of frame. Preserve exact identity from @img3. Reptile may remain deep in the background, very soft and secondary.

The protagonist is barely conscious:
heavy breathing,
dirt,
sweat,
minor blood if natural,
eyes trying to hold focus.

Then his gaze stops tracking, eyelids grow heavy, facial tension releases, and his head settles slightly.

Suggest fading consciousness subtly. Keep the face readable and the location intact. No bright glow, white vignette, dreamy halo, washed-out border, geometry distortion, or stylized blur-frame effect.

FINAL STATE
Protagonist lies defeated in the mud; Reptile has won. Low close-up on the protagonist’s face, eyes closing or almost closed, breathing heavy, consciousness fading.

Strict ending:
jumping spinning kick to jaw → violent knockback → heavy fall → very low face close-up → fading consciousness.

CONTINUITY
Keep protagonist body/wardrobe consistent with @img2 and face with @img3. Keep Reptile consistent with @img4. Preserve scene geometry and visual language from @img1. Fight remains fast, readable, physically continuous, and varied. Do not turn into repetitive mirrored boxing.

AUDIO
Continuous fight soundscape: wet footwork, mud slides, body impacts, cloth/leather movement, sharp exhales, grunts, Reptile snarls and aggressive exertion, low swamp ambience and distant wind. Impact sounds match contact weight.

No dialogue.
No voice-over.
No narration.
No music dominating the scene.